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For a time, the most indelible cultural artifact of this moment was a bracketed piece of metadata that Swift added to the titles of her newly recorded songs, which became a meme anyone could use to signal a proud celebration, “(Taylor’s Version).” ownership of their own cultural output, however small. But in November, it was a breakthrough when Swift dived into her past by releasing a 10-minute extension of her 2012 breakup song.All are very goodWith the new version, he mixes the sad original with sharply drawn scenes that play out almost like salvaged memories, reshaping a romance as a site of trauma that degrades itself to the point of comparing it to “a soldier who gives back half his weight.”
Nostalgia derived It is derived from the Greek words for “homecoming” and “pain,” and before it spoke of nostalgia, it was a psychopathological disorder, describing a homesickness so severe that it could actually kill. Nostalgia itself represented a form of traumatic stress, and now so-called therapeutic treatments have entered our cultural retrospectives. So, while Serena Williams appears at MasterClass to teach tennis and Ringo Starr to teach drums, Clinton comes to school with us on the “power of resistance.”
Flexibility suggests flexibility, and there’s something sickly fascinating about watching Clinton return to his pre-Trump form. The victory speech itself reads like centrist Mad Libs—a meditation on “E Pluribus Unum” nods to both Black Lives Matter and police prowess with an Abraham Lincoln quote—but it eventually veers into complex emotional territory. Clinton remembers his mother, Dorothy Rodham, who died in 2011, and her voice trembles and becomes distorted on the screen as she recounts a dream about her. Dorothy Rodham was brought up in gloom, and Clinton wishes he could visit her mother’s childhood and reassure her that, despite all the pain she would endure, her daughter would become president of the United States.
As Clinton plays his mother comforting his mother’s old self with Clinton’s idea of a future that will never exist, we eventually see a loss that cannot be negotiated, optimized, or monetized: She can never talk to her mother again. Soon, Clinton’s MasterClass has reverted to its banal messages – telling us to shake things up, go for a walk, make our beds – but for a few seconds he could be seen not as a dried-up historical figure, but as a person who could not beat time like the rest of us.
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