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Director David Lowery’s critically acclaimed theatrical adaptation of a classic 14th century fairy tale looks set to wow ultra-high-definition home theater audiences in the movie. Green Knight (Lionsgate Home Entertainment, R-rated, 2.39:1 aspect ratio, 125 minutes, $42.99)
In particular, best homage to Arthur’s knight romance “Sir Gawain and the Green Knight,” the film explores the world of Gawain (Dev Patel), who has yet to be knighted.
While meeting up with his uncle, King Arthur (Sean Harris), in Camelot, his mother, the witch Morgan LeFay, summons a mysterious and lofty Green Knight (Ralph Ineson) to court.
The giant challenges any knight to strike a blow with his own green axe, and in return they will accept the same level attack a year later in the Green Chapel.
A hasty Gawain enters and hits the Green Knight with Excalibur and beheads him. The Green Knight immediately raises his head and reminds Gawain that he will see him in a year to deliver an even blow.
The intriguing premise plays out in a world of death and mysticism as Gawain embarks on a legendary journey to become a hero, finding courage and honor along the way.
Mr. Lowery’s interpretation benefits from rich character interpretation and production design, as well as an atmospheric musical note that embraces the eerie.
While it generally sticks to key points of the story, the director’s ambiguous ending deviates from the original source and was a bit too radical for my appreciation.
Still, those seeking an artistic, clever interpretation of Gawain’s adventure should dive in, but those needing an action-packed blockbuster needn’t apply.
4K in action: Compiled from a 4K midrange, the UHD format beautifully brings cinematographer Andrew Droz Palermo’s liking to a mix of medieval blur and dirt, the dreamy splendor of “Excalibur” and wide shots of panoramic landscapes as a screen explosion presentation. opens.
Adopting 4K, 2160p technology, the highlights allow viewers to see the finely crafted writings of the Green Knight’s challenge note, the wine dripping into the carved cracks of the stone floor, and the fine grained structure clear enough wooden puppets.
Among the places to admire are a misty tree forest swayed by the wind, the branches of conifers sticking out like spikes; a long sandy white road in front of a mountain range; Great stone castles as Gawain leaves Camelot on horseback; and a reddish-colored underwater with bubbles resembling Gawain floating in a star system.
The best extras: Three features offer a satisfying glimpse into the film’s creation.
First, a meaty 35-minute overview allows the director to comment on the original story and justify many of his creative changes to the Gawain saga.
He also talks about the casting, the Green Knight’s makeup, filming in Ireland, and costume design. The episode also features lyrics by Mr. Patel, Joel Edgerton (Lord), Mr. Droz Palermo, production designer Jade Healy and composer Daniel Hart.
Then we have 14 minutes with visual effects supervisors Eric Saindon and Nicholas Ashe Bateman. They discuss how traditional sets and real-life environments have been embellished with computer-generated enhancements, but generally staying true to the director’s liking for concrete and practical production design.
Finally, typography designer Teddy Banks takes an oddly interesting eight-minute dive into the multiple title cards used in the film, presenting font choices, rewriting of titles during the COVID-19 break, and a virtually hands-on explanation of the title of the film. engraved on a tree trunk used in the last effort.
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