‘Batman’ 4K Ultra HD movie review


In 2022, fans and moviegoers were asked to adopt another interpretation of DC Comics’ live-action version of the venerable Dark Knight.

Given its current blockbuster status, director Matt Reeves’ black crime thriller has apparently struck a pop culture chord. Batman (Warner Bros. Home Entertainment, unrated, 2.39:1 aspect ratio, 115 minutes, $39.99) continues to rise in worldwide dominance and saturation rankings as it moves from theaters and HBO Max to the ultra-high definition disc format.

In the somber story, a Halloween night murder introduces Batman (Robert Pattinson). In two years of his suicidal vigilante spree to clean up a crime plague in Gotham City, Bruce Wayne’s alter ego works closely, and often side by side, with Police Detective James Gordon (Jeffrey Wright).

And it’s not just Batman, it’s “revenge”.

After a mysterious killer nicknamed the Riddler (Paul Dano in his most deranged form) begins slaughtering public officials, even leaving bold notes for Batman at crime scenes, our brave hero goes on a hunt to uncover a conspiracy of the highest order, and even falls into his hands. The family that keeps Gotham in a pit of corruption.

Mr. Pattinson does not harm the cultural icon and, above all, offers the most thought-provoking. He’s not a brazen, snarling savage, but a lithe, almost sickly, and wears the latest version of the urban fighting style suit. Hiding in the shadows, he is a sullen, bruised and hardened young man who, despite his sharp investigative mind, speaks with his fists.

Mr. Reeve’s interpretation of the myth allows the villains to equate Batman in psychotic appeal.

Dressed in exhausts and not green swimsuits and a mask, but an olive green leather battle mask, Riddler is a Batman-inspired serial killer, torture-loving sadist obsessed with exposing Gotham’s sins.

Penguin (an unrecognized Colin Farrell) acts as the leading stooge of crime boss Carmine Falcone (John Turturro), hardened by a life on the streets, is a wise Sopranos-type man who fears nothing stupid.

And Catwoman (Zoe Kravitz) must do more than steal, as she obsessively avenges the murder of a friend, while trying to find an unusual attraction to the Caped Crusader.

All glued together by a boiled sand, “Batman” is as much a crime thriller as it is a mystery filled with emotional suspense and drama. It almost elevates into Christopher Nolan’s urban hero trilogy while gloriously embracing some of the darker elements of the Bat’s 80-year history.

4K in action: 4K source media transfer with high dynamic range enhancements brings the dark and sometimes dreamy visual presentation of Mr. Reeves and cinematographer Greig Fraser to powerful life.

Scenes and action, often running in the dark and melting into the shadows with a skyline illuminated by the ominous bat signal, stay true to the artist’s somber vision, but detailed throughout.

Rain, fog, and misted windows obscure scenes but enrich them artistically, while visual explosions are reduced to fiery explosions from gunshots, bombs, and bumper cars.

Moments where you can visually taste Batman fleeing the entire police force by jumping from a building and flying like a fruit bat and then piling up on the city streets, or when the protagonist uses a red flare to lure a group of people to safety.

A quality moment features silhouettes of Batman and Catwoman on the roof of a building under construction as Gotham stands before the sunset.

The best extras: First, audiences get to know, starting with early shooting in January 2020, where Mr. Reeves and the crew discussed how to make this Batman different, and finally touched down on Bob Kane and Bill Finger’s 1930s-style hero and Frank Miller’s Year One movie. it takes an hour of production diary. mini-series – will culminate in a detective story immersed in multi-flavored film noir genres.

Using comic book examples for visual references; discover the latest Batsuit’s design and weapons; the motivations of the bad guys; Dealing with the closure of COVID-19; shooting in Liverpool; designing a virtual Gotham City; and flooding a city.

Then, nine additional features (almost an hour of content) cover building a super-powered street stick version of the Batmobile from the ground up; Realistic makeup design that transforms Mr. Farrell as Penguin; Creating Batsuits and gadgets; and the spotlight is on Catwoman and the Riddler. All episodes are backed by Mr. Reeves’ insight and words from key players and crew.

Finally, the disc features a double deleted scene with the director’s commentary. Most importantly, it was the introduction of the criminally insane individual who would become the Joker.

Mr. Reeve describes the Clown Prince of Crime, based on actor Conrad Veidt’s performance in “The Man Who Laughs,” as a man with a degenerative skin condition that distorts his face and view of life and adds a persistent maniacal smile.


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