[ad_1]
Nearly two decades later, filmmaker Lana Wachowski dared to air the sequel to her and her sister Lilly’s beloved sci-fi series, but it received mediocre critical reviews and an underperforming theatrical release due to the COVID-19 pandemic.
Now seeking salvation with an ultra-high-definition disc release, Matrix Resurrections (Warner Bros. Home Entertainment, R rated, 2.39:1 aspect ratio, 148 minutes, $49.98) Thomas Anderson, the famous developer of the Matrix video game franchise (Keanu Reeves) and her to suburban mom Tiffany (Carrie-Anne Moss).
However, audiences are not what they seem when they are transported back to a universe divided by two worlds, one artificial and one created by machines to mask reality and appease human consciousness, where machines ruthlessly mate unknowing humans and use them as a source of power.
In the fake world, Mr. Anderson is fed a regular diet of blue pills prescribed by his therapist (Neil Patrick Harris aka The Analyst) to calm his paranoia as he works on a new sequel to their play.
However, he knows something is wrong and is eventually offered a red pill by a computer-generated version of Morpheus (Yahya Abdul-Mateen II), which pulls him back down the rabbit hole of truth and becomes the legend known as Neo. The underground human city of Io.
Loyal Matrix fans will remember that Neo and his true love Trinity aka Tiffany were murdered in the final installment of the trilogy, “The Matrix Revolutions.”
Well, in The Matrix, apparently nothing is as it seems, so the audience is reliving the rebirth of the characters. In yet another martial arts whirlpool set in a virtual Dojo, another round of fighting against Agent Smith commends Neo and Morpheus and witnesses an epic love story with a potentially happier ending for the reunited lovebirds.
Sure, the action and slow motion lead time usually shines if nothing groundbreaking, but the narrative is largely retro, even if it’s lazy or clever with plenty of winks at pop culture, from clips from previous movies to a Trinity act. The figure on Mr. Anderson’s desk.
Ultimately, and despite its entertainment value, this one dooms the sequel to playing like “Star Wars: A Force Awakens” as yet another safe homage copy for hardcore fans.
Unfortunately, the chances of a new and much more compelling adventure with Neo may never be seen after the last movie’s box office mediocrity.
At best, fans may have to deal with a new generation of greedy Hollywood executives looking to get an infamous reimagined reboot.
4K in action: Ms. Wachowski and cinematographer John Toll delivered no punches as they presented a visual smorgasbord of high-definition source material shot with the latest and greatest digital cameras.
This translates well in the realms of UHD, powered by these highly dynamic tweaks to deliver some of the best looking and liveliest explosions ever seen on screen, along with deep overall clarity in any scene.
Moments of enjoyment include Insects, human resistance warriors sliding down the edge of a burning billboard as light bulbs explode in a white glow; A stunning city of machinery and its tiny details, from simmering sentries and electrically crackling compartments; or Neo and Trinity’s reference quality disaster is repelled by an exploding helicopter.
The color shines with the bright yellow-blue suits of Morpheus, while details emerge with the particle codex of Morpheus’ body undulating like tiny metallic bits.
Finally, what’s a Matrix movie without slow-motion combat stunts and bullets in the air that never ends with many of the action sequences that never seem so clear?
The best extras: The included Blu-ray version of the movie features over 90 minutes of bonus content that will delight fans.
Start with a 31-minute overview of the production in which Ms. Wachowski first explains her motivations for developing a sequel and then explores shooting techniques.
Next, the overview includes a look at the group writing process, production design, cinematography, visual effects, acrobatic choreography, musical scores, and comparisons to previous films – all by Mr. ReevesMr. Harris, Miss Mosscomposer Tom Tykwer and producer James McTeague.
Then, watch an entertaining eight-minute discussion between Mr. Smith. Reeves and Mrs. moss between clips of previous films and solo interviews, and then Mr. Reeves‘ martial arts training that also touches on the practical implications of the film.
Finally, dive into another nine-part, 48-minute film that covers key scenes and some of the main plot points, such as the office fire, the melee of the Dojo, the return of the exiled Merovingian (aka French). , battles with the new Agent Smith, updated bullet time effects, a motorcycle chase, and Trinity and Neo actually jumping from a very tall building.
[ad_2]
Source link