‘Some Like It Hot’ 4K Ultra HD movie review


manager Billy WilderThe legendary 1959 gender-bending romantic satire debuts in ultra-high definition format to give audiences a flawlessly restored look at what is considered one of the greatest comedies of all time.

Set in the roaring 1920s, Some Like It Hot (Kino LorberR-rated, 1.85:1 aspect ratio120 minutes, $39.95) Focuses on a financially desperate couple Chicago chattering musicians Jerry (Jack Lemmon) and Joe (Tony Curtis), who are unlucky witnesses to the Valentine’s Day Massacre.

Daphne and Josephine escape by disguising themselves as women and joining a group of girls, Sweet Sue and her Society Syncopators. As the two men set off for a long concert in Miami, they barely survive some evil gangster and avoid a certain death sentence.

Life gets complicated as they both eventually fall for bandmate Sugar Kowalczyk (Marilyn Monroe), but Josephine reclaims the upper hand by dressing up as a fake Shell Oil millionaire (no less with the dumb Cary Grant accent), while Daphne is stuck with rabid suitor Osgood Fielding III. staying. (Joe E. Brown).

And then life turns ugly when gangsters unwittingly show up to a Friends of Italian Opera dinner and find their witnesses.

The black-and-white classic is bursting with laughter and star power, showing the hilarious moments between Brown and Lemmon and Sugar and Shell Junior, and a few gangster legends like George Raft as “Spats’ Colombo.”

That said, the movie still captures Marilyn Monroe’s appeal at its strongest visually, especially as she sings and dances to songs like “Running Wild,” “I Wanna Be Loved by You,” and the fiery heartbreaking “I Wanna Be Loved by You.” It really highlights. I Passed With Love.”

4K in action: Kino Lorber uses meticulous digital restoration of the film from the 2018 high-definition release of the Criterion Collection to deliver a 2160p masterpiece with exceptional clarity, contrast and just a pinch of grain, all displayed in a screen-filling presentation.

Whether it’s as simple as wet shimmering concrete, visually memorable moments, Lemmon and Curtis’ pale makeup, ultra-white-spotted gangster spit, or Monroe’s flawless skin, the restoration also captures the ornate interiors and exteriors of San Diego’s historic Hotel Del Coronado. stands out when highlighting. Miami resort).

The best extras: Kino Lorber’s, film historian and author of “, doesn’t disappoint, starting with a 4K disc that includes a new, exclusive commentary piece.Billy Wilder: Dancing on the Edges,” by Joseph McBride.

Quickly declaring that the movie is one of his favourites, he considers it one of the great movies in existence and a mix between “Scarface” and “Charley’s Aunt.”

Mr. McBride discusses the film and its background, always full of details, anecdotes and nostalgia, including the film’s origins; casting; Monroe’s acting and singing as well as her problems on set; the brightness of the scenario; and wildcareer and life.

Called a feminist film, some her observations include: wildHis favorite song is “I’m Through With Love”; and an accountant estimates that Monroe spent 38 hours on set for a 40-day shoot, costing the production an additional $500,000 in delay.

He even reads a letter of protest from the Catholic Legion called “Some Like it Hot”, which seriously offends and downright slanders Catholics.

A second vintage audio commentary from the 2006 Collector’s Edition DVD focuses on the script with Paul Diamond (son of the film’s co-writer, IAL Diamond) and screenwriter team Lowell Ganz and Babaloo Mandel (known for “A League of His Own”). Additional interviews with Curtis and Lemmon interrupted the conversation.

A second Blu-ray disc in the set adds a slew of extras, including a pair of complementary vintage features of around 45 minutes covering production, his legacy, and offering plenty of interviews. wildCurtis and Lemon.

Viewers also get a 13-minute run with four members of Sweet Sue’s band Marian Collier (clarinettist Olga), Laurie Mitchell (trumpeter Mary Lou), Sandra Warner (Emily), and Joan Nicholas (saxophonist Betty). Walk down memory lane in the 2003 vintage segment.

Next up is a 32-minute interview with Curtis by film critic Leonard Maltin, which took place in Hollywood’s famous Formosa cafe in 2001. “Some Like It Hot” speaks as Curtis explains her frustrations about working with Monroe, getting the role, being like Grace. Impressive costume design by Kelly and Orry-Kelly.

Finally, interviews with German filmmaker Volker Schlondorff in another archive segment of about 20 minutes in total. wild about problems with Monroe (it took 60 times to get her to say “It’s me, Sugar”); his career; and methods of working with players. The famous director/screenwriter even reads pages of dialogue from the “Some Like It Hot” script.


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