‘Blow Out’ 4K Ultra HD movie review

‘Blow Out’ 4K Ultra HD movie review


movie productor Brian DePalmThe 1981 black crime thriller gets a new visual life, now in 4K disc format. blowing (criterionR, 2.39:1 aspect ratio, 108 minutes, $49.95).

The action centers on exploit movie sound effects designer Jack Terry (John Travolta) watching a car fall from a bridge into the river while recording sound one night.

Jack rescues escort Sally Bedina (Nancy Allen), who is trapped in the car, but the male driver dies. When the driver is revealed to be a governor and prominent presidential candidate, Jack is pressured by an official and the police to forget about the incident.

However, he listens to the recorded audio that night and hears a gunshot before the accident, potentially revealing a far more sinister crime tied to the highest levels of government.

Mr. de Palma He does a masterful job of creating suspense from start to finish, while adding a dash of familiar political conspiracy theory to events. He finally puts a somewhat vague and sober ending to Jack’s adventure.

Cinematographer Vilmos Zsigmond, Mr. de Palma‘s collection of deeply focused shooting elements (such as the character’s faces in the foreground and the action equally sharp in the background in simultaneous focal planes), shadows that herald the suspense, and high-angle cover shots to bring out the action (in reference to a drowning in a public bathroom).

Everything shines now with a 4K, 16-bit restoration using the original camera negative based on the director-approved and previously released 2K restoration. criterion in 2011.

A particularly striking moment can be seen when movie fans cuddle with Sally in front of a massive fireworks display, as well as perusing an image as simple as a shiny pencil or old audio equipment, as well as examining the exterior of Philadelphia City Hall and 30. Jack.

The best extras: All digital bonus content is available on the Blu-ray version of the movie, all from 2011. criterion release.

Start with a generous one-hour candid interview with the famous director over a small circular table in a New York room in 2010 by filmmaker Noah Baumbach. The interview covers most of the “Blow Out” production, including the famous rotary camera shot. themes in his films and highlights of his career.

Watch the episode with a 25-minute, 2011 interview with Ms. Allen in Los Angeles, giving an overview of the cast, working with Mr. Travolta, and a deeper look at her character as a goofy blonde.

Equally interesting is a 15-minute interview with Steadicam inventor Garrett Brown. He showcases his creation and explains the camerawork used at the start of the slasher movie scene in “Blow Out.”

Also, as I would say “beyond the call of duty”, Mr. de PalmaHis first feature-length film, “Murder a la Mod”, made in 1968, is rare.

Made with 16mm film stock (1.35:1 aspect ratio), the 80-minute, black-and-white, avant-garde murder mystery follows the events of three people who solve or commit the murder of a model. The bizarre movie has a distinctive theme song, and a scene from it even appears on a television screen in “Blow Out.”

The package includes a 36-page color booklet containing a reproduction of the fake magazine pose of the photographer who caught the accident on film; Pauline Kael’s review of the July 17, 1981 film “The New Yorker”; and an article by critic Michael Sragow.


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