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Acclaimed “Saw” sequel director Darren Lynn Bousman has taken on the tremendous task of trying to continue the beloved franchise this year in the startling ninth installment of the series, which presents a mysterious thriller mixed with some familiar human mutilations.
Critics were not impressed, but the debut of UHD is letting home theater fans decide. Spiral: From the Saw Book (Lionsgate Home Entertainment, Rated R, 2.39:1 aspect ratio, 93 minutes, $39.99) lives up to its eerie origins.
The story finds Ezekiel Banks (Chris Rock), a grizzled police detective who must work with rookie partner Detective William Schenkto (Max Minghella) to solve a series of grisly police murders reminiscent of serial killer Jigsaw.
As Zeke pursues the investigation triggered by the gruesome death of a former partner, he must deal with his landlord, his overbearing retired homicide detective father, Marcus (Samuel L. Jackson), and long-standing issues with other officers after he passes away. turned into a dirty cop.
Zeke finds himself in a twisted game when the killer starts leaving body boxes as clues.
As usual, the diabolical traps set by the killer leave heaps of bloody human carnage (the graphically tearing of fingers from the hands is particularly obnoxious), but unfortunately, the traps are uninspired and the plot brings nothing new to the series except for a well-mature comedian. He turned into a dramatic actor.
Yes, Mr. Rock carries the mediocre movie thanks to his edgy humor that unleashes like a sharp knife, and he’s a twin to the Serpico-type cop character from his world filled with pain and hatred.
“Saw” fans won’t be impressed by the killer and his absurd text message (sounds like “Groundhog Day’s” Ned Ryerson), the lack of an appearance of the original Jigsaw, and the sudden, jaw-dropping, unsatisfying ending.
However, considering the source material of the digital camera that captures up to 6K of visual information, the 4K transmission offers a clear and colorful presentation as expected.
Of course, this is not a good thing for those who whine during the bloody and bloody deaths.
The best extras: Movie-loving viewers will really appreciate the unnecessary excessive movie deconstruction on the 4K disc, starting with two optional commentary tracks.
First, a fiery Mr. Man with a bit of a game show announcer voice. Lynn Bousman, co-screenwriter Josh Stolberg, and Charlie Clouser, music composer for all “Saw” movies, the cast, crew and their efforts.
The best of the two tracks is as they not only get a perspective from the music director, but the trio work together to pose questions to each other to trigger more memories as they go into the movie.
Next, producers Oren Koules and Mark Burg offer a less talkative but deeper production commentary and a perspective of the Saw series. They let us in on the small details like the subway set cost $300,000 (most of any “Saw” movie), there was a conflict with the director in a scene using Steadicam, the length of human language, and an actor who denied it. curse.
Now, let’s add a five-part, one-hour documentary on the making of the film, diving into the new production that begins with the franchise’s origins and spans casting, comedy, cinematography, editing, and music. The audience gets a lot of comments as Mr. Rock tries to explain the creation of the story “48 Hours” meets “Seven”.
The flash layers get a bit much, but it’s a much more in-depth, informative and well-structured overview than the movie deserves.
The director also provides a nine-minute, detailed breakdown of the pitfalls that once again do a great job of explaining some of the movie magic for a not-so-great movie.
Viewers even get a 6-minute look at the marketing of the “Saw” series discussing the iconic posters.
If only “Spiral: From the Book of Saw” was as good as the cast and crew.
Suffice to say, fans will want to have this bundle, but the extras overshadow the final movie.
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